![]() ![]() Instead, it entails a broad understanding of declining national sovereignty, modern capitalism, and multinational enterprises, all reflected by and in sound. "'Empire,' for most of these authors, is not restrained to political empires. Michael Denning, Brent Hayes Edwards, Nan Enstad, Andrew Jones, Josh Kun, Morgan Luker, Jairo Moreno, Tejumola Olaniyan, Marc Perry, Ronald Radano, Nitasha Sharma, Micol Seigel, Gavin Steingo, Penny Von Eschen, Amanda Weidman. In doing so, they allow us to hear how empire is both made and challenged.Ĭontributors: Kofi Agawu, Philip V. Whether focusing on Argentine tango, theorizing anticolonialist sound, or examining the music industry of postapartheid South Africa, the contributors show how the audible has been a central component in the creation of imperialist notions of reason, modernity, and culture. empire by desi rappers and the role of tonality in the colonization of Africa. These fifteen interdisciplinary essays cover large swaths of genre, time, politics, and geography, and include topics such as the affective relationship between jazz and cigarettes in interwar China the sonic landscape of the U.S.– Mexico border the critiques of post-9/11 U.S. ![]() Music is a means of comprehending empire as an audible formation, and the contributors highlight how it has been circulated, consumed, and understood through imperial logics. Labor and Working-Class History AssociationĪudible Empire rethinks the processes and mechanisms of empire and shows how musical practice has been crucial to its spread around the globe.Association for Middle East Women's Studies. ![]()
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